Showing posts with label Chris Lambright. Show all posts
Showing posts with label Chris Lambright. Show all posts

Thursday, April 16, 2020

The Cash-Landrum UFO: The True Picture

This article originally appeared in the February 2014 issue of UFO Today magazine, but unfortunately the format did not allow for all the pictures used as supporting evidence, or for the three versions of the Cash-Landrum UFO illustrated by Christian Lambright. Here for the first time is the article in full.



The Cash-Landrum Incident: Getting to the True Picture

by Curtis L. Collins
     I'd like to get to the bottom of the Cash-Landrum affair. The story there concerns Betty Cash, Vickie Landrum and Vickie's grandson Colby. The three were coming back from a bingo game when they saw a glowing (object) spewing flames above them in the sky. They stop the car to watch this thing, and as it moved off, they reportedly saw about twenty-three helicopters escorting it out. After they got home there were all sorts of physiological effects: Their eyes swelled, their hair fell out, they developed blisters, they were nauseated and weak. The event completely altered their lives. 
Dr. J. Allen Hynek, OMNI Magazine, February 1985 

The December 29, 1980 encounter near Huffman, Texas is one of best known, thoroughly documented cases in UFO history. Much of the enduring appeal of this dramatic and intricate case is due to the investigation of it by highly credentialed aerospace professionals. The image formed during their early casework permanently shaped how the case is viewed and understood. We need to look back to opening the of the case to examine how that picture was developed. 

It was during Betty Cash’s second hospital stay for a mysterious illness in January 1981 that the story of the encounter began to emerge. Vickie Landrum had been making calls, desperately trying to get some help and answers. They wanted to know: what the object was, how it had injured them and who was responsible for it. When they saw the helicopters following the object, they become convinced that it was all some kind of military operation, and later reasoned that the U.S. government would have knowledge of it, and information that could help them. When Betty Cash was released from the hospital, she joined in Vickie’s efforts to reach someone who could help or provide answers. After some difficulty and delays, Betty contacted John F. Schuessler, and he began investigating the event as a UFO case.


John Schuessler worked for McDonnell Douglas at NASA’s Johnson Space Center. He had a private interest in unidentified flying objects and was a founding member of MUFON (the Mutual UFO Network), serving as its deputy director. In 1976 he founded Project VISIT (Vehicle Internal Systems Investigative Team), a Houston-based research group that chiefly consisted of aerospace engineers and other professionals who, in their spare time, applied technical expertise to the study of USVs, or Unidentified Space Vehicles.

Schuessler began by interviewing Betty Cash about the events, taking photographs of her injuries and examining her car. Vickie and Colby Landrum were interviewed one week later, followed by a trip with them the scene. By this time, Betty had moved to Alabama to be cared for by her mother and was unavailable to participate in further physical investigations. Schuessler shared his preliminary report in March 1981 with major UFO organizations, but the investigation continued.

MUFON's John Schuessler. Left, Vickie, Colby Landrum and Betty Cash pose by Schuessler's car.
Other members of Project VISIT participated in the search for additional witnesses and investigated the source of the helicopters. Schuessler also solicited Dr. Peter Rank, a radiologist associated with MUFON, to analyze the medical records to determine if radiation could have been involved in the encounter. The nature of the witnesses’ injuries became a controversial issue; they were cited as proof of the encounter, and yet the medical records documenting them were withheld. The unwillingness of the chief investigator to allow access to case materials has long been a topic of criticism from both UFO skeptics and proponents. 

Pre-hypnosis sketch based on witness testimony by Kathy Schuessler
Over the next several months the media attention continued to build and formed a strange relationship with the case. The media seemed to take the lead in the production of new information and developments. Pleas in the news coverage for any additional witnesses to come forward yielded a few results- respondents claimed seeing either a UFO or some helicopters. The involvement of the television program “That’s Incredible!” led to two new developments. The witnesses were examined by doctors at Houston’s Methodist Hospital, and Vickie Landrum was questioned under hypnosis by abduction researcher Dr. R. Leo Sprinkle. Neither produced any clear solutions. While there was little progress in the case there was much activity, and it continued to look promising. The witnesses were still looking for their answers and cooperated, enduring the publicity in the hopes that it would lead to getting help.

Vickie and Betty weren’t content to let others do all the work, and in late July 1981, it seemed their efforts were beginning to show results. Senator Lloyd Bentsen replied by letter to Betty, advising her to contact Bergstrom Air Force Base to file a report and claim for damages, stating that “...they will be most willing to assist you in any way possible.” Betty took a flight to Texas, and together with Vickie and Colby, made the long drive to Austin to visit the base. Their hopes and expectations were high, perhaps unrealistically so, due to the effusive tone of the letter. Base officials merely questioned them about the events, then explained that the Air Force no longer investigated UFO cases. The witnesses were told there was nothing the Air Force could do beyond providing them with damage claim forms. They were profoundly disappointed, and it proved to be just one event in a long series of false hopes.

Looking back, we can now see that by the fall of 1981 the VISIT investigation had peaked, but media interest in the case had not. Schuessler presented the case for the first time at the Center for UFO Studies (CUFOS) conference in September. In his lecture he summarized the case, describing the events to date, offering many new details, including a fresh physical description of the mysterious object. Schuessler stated it as a “...large glowing UFO... The unusual aspect of the thing was its diamond shape. Small blue lights ringed the center and the points of the diamond seemed to be cut off. The light from the object was intense and lit the whole area.” 
(Mimi Hynek, ed. The Spectrum of UFO Research. Chicago: J. Allen Hynek Center for UFO Studies, 1988.)

When the case was featured in the November 1981 MUFON UFO Journal, it was accompanied by an illustration by Kathy Schuessler. The picture showed a clearly defined, glowing diamond-shaped UFO with a ring of lights around its center. The Schuessler description and picture served as the UFO equivalent of a police sketch, or “wanted poster,” and effectively became the face of the case.

The post-hypnosis illustration by Kathy Schuessler with the ring of blue lights.
The Schuessler illustration appeared next in the presentation and booklet for the 1982 MUFON Symposium in July and again later for the cover of the September 1983 MUFON Journal. The “lighted diamond” concept was repeated throughout UFO literature, and other artists’ versions of the UFO with a ring of lights began appearing. John Schuessler later started using a second painting by his wife that featured a more oval version of the UFO. This painting was used by Schuessler in his many slideshows and lectures on the case, and later as the cover illustration of his book, The Cash-Landrum UFO Incident. When the prime time television program Unsolved Mysteries featured the case, it based its depiction of the UFO on Schuessler’s report, introducing it to millions of viewers. The image of the otherworldly diamond played a defining role in the case.

Another byproduct of the media coverage was the investigation Department of the Army's Inspector General as to whether U.S. Army helicopters were involved in the incident. In the spring of 1982 Lt. Col. George C. Sarran spent several months checking the possibilities, and also traveled to Texas. There, he met with Schuessler, examined the cold leads and interviewed the available witnesses. Sarran considered the witnesses credible, but found no evidence to suggest any Army involvement.

The damage claim forms obtained at Bergstrom Air Force base finally came into play in late 1982 when Peter Gersten, the flamboyant “UFO Lawyer,” filed them on behalf of the witnesses. When the claims were denied, they then attempted to file a civil suit against the United States government, a contentious process that went on for the next several years. This proved to be another false hope, as there was never enough evidence gathered to satisfy a court. The witnesses were deeply disappointed when in August 1986 the case was dismissed without ever going to trial. Media coverage of the case faded away.

While the lawsuit developments were making headlines, UFO investigator and artist Chris Lambright tried to reach the witnesses for testimony of another sort. Lambright sought to paint technically accurate illustrations of the most credible UFO encounters. His first painting was of the classic 1964 Socorro, New Mexico sighting by police officer Lonnie Zamora. There Lambright used measurements from the official reports with the direct cooperation, testimony and feedback from the eyewitness. He wanted to apply the same methods to depict the Cash-Landrum sighting. 

Christian Lambright's array of diamond UFO shapes.
After studying the case literature, Lambright’s first step was to draw a series of different diamond UFO shapes, which he sent to the primary case investigator, John Schuessler, asking him to indicate which was the closest match. Schuessler instead drew his own diamond shape and included a note about the midline ring labeling it as “small blue ports or lights.” With this drawing and the published descriptions as reference, Lambright sketched out a scene of the encounter, then sought out the eyewitnesses for further details.



On July 10, 1985, Chris Lambright and fellow researcher Tommy Blann paid a visit to Vickie Landrum at her home in Dayton, Texas for an interview, which they recorded for reference. Lambright opened the MUFON Journal to Schuessler’s article and asked, “Do you see this illustration? This was done by John’s wife and it looks like the whole thing is glowing and it’s got a series of lights or dots or holes or something around it.” 

“I didn’t see any dots…nothing.” Vickie shook her head and explained that Schuessler must have taken the blue lights from Colby’s “Lite-Brite” picture of the object.

The Hasbro toy Lite-Brite has a screen with a grid of holes lit by a tiny light bulb, allowing simple pictures to be formed using colored translucent pegs. Betty Cash later described how Colby was preoccupied with drawing the UFO for weeks after the event: “Vickie went and bought him that Lite-Brite, to try to help him… she could not afford the notebook paper that that child was going through.”


Lambright moved on to other details of the craft’s flight and physical characteristics. Vickie described how they originally saw just a light at a distance through the trees. When it came down to hover over the road, they saw flames spewing downward, apparently in some kind of mechanical distress. The object would rise above the trees on a jet of fire, and when the flames diminished, it would lower.

Lambright sought clarification, “When the thing went out (flames decreased), I think most people think the thing was still glowing like a light bulb.” 

“No, no, no! It was hanging there,” Vickie explained.

Shortly afterwards Lambright interviewed Betty Cash by phone. He asked Betty similar questions about the UFO and how it had been depicted.
“... they showed several small blue…it looked like portholes or lights around the middle of the object...but you don’t recall seeing anything like that on the object itself?” 

“No sir!” Betty had either not seen or noticed the illustration. “I can’t imagine what picture it was that John put in the blue lights.” She went on to explain that the early case drawing she had seen was an accurate depiction. 
Lambright asked, “In other words, it was a dark object with fire coming out of the bottom?” 

“Right,” Betty answered.

The witnesses were not technically sophisticated, and they had difficulty describing just what they’d seen during their terrifying ordeal. The fiery light coming from the bottom of the object was blinding, and the witnesses had some trouble expressing the difference between the light and the object producing it. Vickie said, “Colby swore it looked like a big diamond. I couldn’t tell for I was so scared about him... It lifted and I knew it was at least half a mile or more across the main part of the light. It was bigger than a water tower.” (Schuessler, John F. The Cash-Landrum UFO Incident. La Porte: Geo Graphics, 1998, pp.42-43.) It seems that the original investigators were confused by this and reported the UFO itself as gigantic and glowing.

How and why the “ring of blue lights” became accepted is a bit more puzzling. Vickie had explained that Schuessler photographed Colby’s Lite-Brite picture, and it seems he interpreted the colored pegs illustrating the UFO’s center as a ring of lights. There was yet another ingredient for the blue lights that Vickie didn’t seem to remember; something revealed when she had been put under hypnosis.


On July 11, 1981 Dr. R. Leo Sprinkle put Vickie Landrum under regressive hypnosis for the coverage by National Enquirer magazine (and again later for the ABC network television program That’s Incredible!). The purpose of the hypnosis was to attempt the recovery of additional details about the sighting. During the session, two new details were produced: the scent of lighter fluid and the first mention of blue lights. Vickie is reported to have said, “It had some blue on it... Looked like little lights.” (Schuessler, 1998, p.134)

John Schuessler accepted the hypnosis material as genuine evidence, incorporating it into the case as additional witness testimony. He interpreted the lighter fluid smell to be the odor of helicopter fuel and the blue lights as a ring around the fuselage of the UFO. The hypnosis story was combined with the Lite-Brite picture and the mistaken glow to form a composite image. A new picture of the UFO was born - not of what the witnesses saw or described, but of a colorful, gigantic gleaming Unidentified Space Vehicle similar to those in Steven Spielberg’s Close Encounters of the Third Kind.

There were no public statements from the original witnesses of a glowing UFO with blue lights, either before or after the hypnosis. It is worth reviewing the earliest testimony to examine what they were able to describe.

Betty Cash, early February 1981: “We could not get up close enough to detect what the figure was. Or I couldn’t at least, the lights were too bright in my eyesight.” She later added, “...this bright object that made the sky just split up and it looked like the world was coming to an end. It was a very bright red... (Vickie) looked out the glass but she said the light was to bright for her to see very much of the figure...”, (Schuessler, 1998, pp. 39, 253).

Vickie Landrum : (Vickie told the reporter) Colby insisted that it was “diamond-shaped,” and that “The light from it was just like someone was up in your eye shining a flashlight at 'em. Maybe he could see better from in the car or something, but we couldn't tell no shape to it. The light from it was glowing, lighting up the whole road like it would set it on fire.”
Gordon, C. (1981, February 22). “Two women share terror of mysterious encounter,” The Courier, p.1A.)

In the original published reports there was no mention of any specific markings or lights on the UFO. There were, however, a few UFO reports in Texas and other areas both before and after the incident, some of which involved UFOs with lights. VISIT sought comparisons and connections between the Cash-Landrum sighting and some of the other incidents, most notably the separate sightings of Glenda and Jerry McDonald also of Dayton; Frank Chinn of Echols, KY. (Schuessler, 1998, pp. 74, 75, 314, and Brookesmith, Peter, ed. The Age of the UFO. Orbis Publishing, London, 1984, pp. 160-161.)

As they were asked to repeat the story for the public, media and investigators, Betty and Vickie gradually accepted Colby’s “diamond-shaped” description and began using it themselves in talking about what they had encountered.

Witness testimony summarized from the first VISIT report:
“Betty described the object as just an extremely bright light with no distinct shape, Vickie said it was oblong with a rounded top and a point on the bottom, while Colby said it was totally diamond-shaped." (Lorenzen, C. (September 1981) Burns Follow UFO Incident. The APRO Bulletin Vol. 29, No. 8, p. 2.) 

Vickie Landrum: “It was diamond-shaped and as tall as a water tower. It was a dull metallic color, and it just floated there.” (Horswell, C. (1981, September 25) State, private agencies probing claims of UFO encounter. The Houston Chronicle, p.1A.) 

Colby made many pictures of the UFO, and one he drew with Vickie from March 1981 was reproduced in Schuessler’s book (page 237). It shows a featureless diamond-shaped object spewing flames downward. Betty Cash also drew the UFO during the interview at Bergstrom Air Force Base. It also depicts a featureless diamond-shaped object spewing flames downward. Vickie signed the drawing, agreeing that it was accurate.


With the legal case lost, the story of the witnesses was absorbed into the body of UFO lore, becoming little more than a parable about the evils of a cover-up by the U.S. government. Along the way, a crucial question went unasked: How did something as basic as the description of the UFO get so distorted and then become recorded inaccurately in the case history?

As personal computers became more prevalent, the Computer UFO Network developed. Originally conceived as an online bulletin board; Chris Lambright joined them and led the implementation of the CUFON website. The site collected and archived important UFO material, including Cash-Landrum case documents. In 1994 Betty Cash provided them with a tape of the pivotal 1981 Bergstrom AFB interview, which documented lengthy testimony from the witnesses to U.S. military officers. CUFON published a transcription of the interview online, making it public for the first time. 

Also in 1994 Lambright briefly discussed his interviews with Vickie and Betty on a UFO Internet forum. He mentioned the discrepancy of the UFO picture and details as an indication that there might be other problems in the original investigation of the case. In 2003, Rebecca Keith shared Lambright’s message on the forum by UK researcher James Easton, where it could find a wider audience. Ten years later, I came across Lambright’s comments there, and tracked him down to get the details. We’ve continued to correspond on the case, and he recently told me:

“I never did finish the oil painting I originally showed to Vickie Landrum, though I think it's still in storage somewhere... more recently I tried my hand at a rendition using a 3D program...and you get a great idea of how light effects the entire scene. It's still a guess on how bright the flames really were, and how reddish they were, etc. What really becomes obvious is how dark a dark grey object would have been in the sky, and brings home what Vickie said that if it hadn't been for the flames they might not have seen it at all.”

Lambright completed two variations of the scene, showing different degrees of illumination from the flames. This is is a unique effort by Lambright, finally a realistic representation of the scene as described by the witnesses themselves.

Illustrations copyright Christian P. Lambright
Version 1: All illumination comes from the downward flames, shown here almost dormant.

Version 2: The flames become more powerful as the object rises.

Version 3: Another view, depicting the blinding light that lit up the whole woods.
With the documentation that the circulated UFO description was in error, doubts arise about how other data was gathered, evaluated and represented. There was no police or Air Force investigation at the beginning of this case, and the only the documentation was the elusive medical records of Betty Cash. About all we have to work with is the media coverage, and the parts of the VISIT investigation that John Schuessler chose to share. The Cash-Landrum case deserves a fresh look and should be reopened.


The passage of time closes some doors, but others may open. Betty Cash died in 1998, and Vickie in 2007, leaving only Colby Landrum remaining as a primary witness. The helicopter personnel who participated in the operation are nearing retirement age and could now discuss this case without the fear of risk to their military careers. Others who were involved may still be alive, and it is possible that once-secret government documents could now be available. The VISIT case file also needs to be opened for whatever cold leads it may provide. There is yet hope that the curtain of secrecy can be parted to provide what the witnesses have fought so hard to find - answers.


Update: The original VISIT report by John Schuessler has since become available, along with many other documents on the case. See: 

A special thanks to Christian P. Lambright whose input into was invaluable. Chris' interviews with the witnesses, artwork, investigation and insight provided the foundation for this article. Chris has a website http://www.xdeskpublishing.com/, where more information can be found on his book, X Descending.

Saturday, December 7, 2013

More Details from UFO Witness Colby Landrum

"I can still see it very vividly in my mind."

Colby Landrum revisiting the road.



Martin Willis really scored when he managed to convince Colby Landrum to agree to be interviewed on Podcast UFO. Martin had already scheduled a show devoted to the Cash-Landrum case with Chris Lambright and me, but having Colby talk entirely changed the focus. Instead of a review of the case and analysis of recent findings, things shifted to strictly presenting eyewitness testimony. Colby was asked to recount events as he remembered them, leaving out what he may have heard later. He did a very good job of that and was frank about things he just didn’t remember. He was candid about its emotional impact on him and the pain and anger that he feels in association with the event. While he has no evidence, Colby feels that it was an object under military control and the U.S. government has ducked taking responsibility for the accident.



Colby describes the UFO

During the show, interviewers made a special effort to press him for further details about the appearance and flight characteristics of the UFO. The details were scant:

  • Size: approximately 50 feet wide, 100 feet tall, roughly the size of the tank of a water tower
  • Shape: diamond-shaped
  • Color: orange and yellow (fiery)
  • Texture: Not described, object radiated a glow
  • Effects produced: flames coming out of the bottom, radiated heat
  • Flight performance: floated
  • Speed: not described, slow enough to be followed by helicopters

Colby said the helicopters, 23 double-rotor Chinooks, were always present, and that they maintained a distance of about 100 yards, surrounding (but not above) the object. He had the impression that they were escorting it, or perhaps that they were there to deal with the threat of the object (liberally paraphrasing).


Looking at Mugshots

After the show, I asked Colby to look at a collection of images based on the UFO, “mugshots,” to find the closest match.

"Those look close, I can still see it very vividly in my mind." He selected this one and commented:
I would say the MUFON Symposium (drawing) would be the best one if color was added and (the object was) moved above the trees about 100 feet in contrast. Chinook helicopters added in, and it would look almost what I remember.”


Kathy Schuessler sketch from 1981.


I then asked him to look at Chris Lambright’s illustration based on his 1985 interviews with Vickie Landrum and Betty Cash.

Colby said:
That actually sent chills. If he could add in some helicopters, it would be perfect, but that's good.”
Chris Lambright illustration based on his interviews with Vickie and Betty.

A better understanding of this object will aid in its identification if it was a military vehicle or weapons test of some kind. Colby's contribution is an excellent step forward in establishing the best possible description of the UFO.


The Family Business

Colby has expressed the desire to pick up where his grandmother Vickie left off, to try to get answers about what they encountered. I’m talking with him about ways to do this, emphasizing that any investigation will carry more weight with his involvement. But first, it is crucial to review the case and verify the existing details. To that end, Colby has some documents and photographs that may contain information not included in the public record, and examining them may provide some leads, or possibly new evidence. 


I’m extremely grateful to Martin for giving Colby the push he needed to start working on a solution. Colby told me afterwards, "I hope we can get this rolling. I have a good feeling about this." 

Anything learned about this mystery will serve as a valuable tool which can be applied to other UFO cases, particularly those involving military operations. 

Monday, December 2, 2013

Cash-Landrum Witness, Colby Landrum: 2013 Interview

A Rare Interview with Colby Landrum, December 4, 2013

Colby Landrum, from 1982 and 2008
Martin Willis has been hosting a UFO interview program, Podcast UFO, and he's got a refreshing approach to things. Basically, he's a skeptic that had his mind opened when he experienced a UFO sighting of his own. In a relatively short time, Martin has featured interviews with many of the top names in the field, including reclusive witnesses to famous cases such as Calvin Parker of the 1973 Pascagoula Abduction Incident.

On December 4th, Martin featured a live interview with Cash-Landrum witness, Colby Landrum. Silent since the mid-80s, Landrum has only broken his silence on the case for one television program. This live interview provided much more intimate access and allowed listeners to to hear Colby Landrum tell the story as he remembers it, followed by questions from researchers familiar with the case.

In 1985, Chris Lambright managed a rare feat by an independent UFO researcher, he was able to interview Vickie Landrum in person, and Betty Cash by telephone. The Podcast UFO program allow him the long-delayed completion to his goal to interview all three case witnesses. Also joining the  show, was yours truly, Curt Collins.

Colby Landrum Interview
Wednesday, December 4th 2013 at 8PM Eastern (Streamed Live)
Art Bell’s Dark Matter Radio Network 
Archived as a podcast starting Friday, Dec. 7 at 


or
YouTube version


The Podcast UFO Press Release on the interview:

Podcast UFO Celebrates Joining Art Bell's Network with Special Guest
Podcast UFO, new to Art Bell’s Dark Matters online network, will present a rare interview with Cash-Landrum UFO Incident witness Colby Landrum.


Exciting changes are coming to Podcast UFO, a favorite interview show for everyone interested in the field of UFOlogy. First of all, host Martin Willis is thrilled to announce that the show will premiere on Art Bell’s Dark Matter Radio Network on Wednesday, December 4th 2013 at 8PM Eastern. The show will still be available as a podcast via iTunes and Stitcher every Friday, but very soon the Wednesday shows will be live with listener call in and “wormhole messaging” capabilities. Podcast versions of the show will also be available on PodcastUFO.com each Friday. The website will also continue to host the show’s blogs and forums. Host Martin Willis said “It is such an honor to be associated with broadcasting legend Art Bell. We are proud and pleased to be one of the first shows selected to be part of his Dark Matters Radio Network.”

The premiere episode is a pre-taped interview on Crop Circle Science with Nancy Talbott. The following week will feature an extremely rare interview with Cash-Landrum UFO Incident witness Colby Landrum. Researchers Chris Lambright and Curtis Collins will be joining Martin for this extraordinary episode. It very well may be the only opportunity listeners have to hear Colby Landrum speak about the famous 1980 Texas UFO encounter which left the participants with strange symptoms consistent with radiation exposure.

In another exciting development for Podcast UFO, esteemed Illinois based UFO researcher Sam Maranto will be joining the live broadcasts. He will bring his expert analysis and wide ranging knowledge of the topic to Podcast UFO. Maranto is best known for his investigations of the 2004 Tinley Park UFO sightings near Chicago, Illinois.
About Podcast UFO:
Podcast UFO is a weekly audio podcast that brings listeners news and interviews related to unidentified flying saucers and the search for alien intelligence. Each show features in-depth conversation with today’s most important and interesting UFO researchers, skeptics and experiencers. Produced and hosted by veteran podcaster Martin Willis and co-hosted by MUFON investigator Sam Maranto, the show can be streamed through the Dark Matters Radio Network at: darkmatterradio.net where new episodes appear each Wednesday at 8PM Eastern (Thursday at 1AM UTC/GMT). Podcasts versions of the show can still be subscribed to via iTunes & Stitcher for your smart phone.. Podcast UFO can be contacted at martin@podcastufo.com.
The Podcast UFO official website is PodcastUFO.com


Wednesday, June 26, 2013

Quest for an Accurate Picture of the Cash-Landrum UFO



What did the UFO look like?

An earlier post, UFO Evolution: The Piney Woods UFO presented without comment how the depiction of the Cash-Landrum sighting changed from a featureless flying, flaming diamond into a glowing UFO ringed with blue lights. This piece will explain the transition and attempt to correct the record.

The witnesses in the 1980 UFO case near Huffman Texas were initially unable to provide many details about what they saw due to the intensity of the light coming from it.   



"[Vickie] Landrum said neither she nor Cash could define a shape for the object because the 'blinding' light projected from it. However, she said, Colby, who was viewing the object through the car's windshield insisted that it was 'diamond-shaped'. 'The light from it was just like someone was up in your eye shining a flashlight at 'em.’ Landrum said. 'Maybe he could see better from in the car or something, but we couldn't tell no shape to it. The light from it was glowing, lighting up the whole road like it would set it on fire.'"-The Courier (Conroe TX) Feb. 22, 1981 by Cathy Gordon
“The description given by the two women are very similar: tree-lined black-top road, object ahead (south of them) surrounded by a glow and a shooting red and orange-colored fire toward the ground. Betty described the object as just an extremely bright light with no distinct shape, Vicky said it was oblong with a rounded top and a point on the bottom, while Colby said it was totally diamond-shaped."-APRO Bulletin Sept. 1981 Vol. 29, No. 8 (Summarizing John F. Schuessler’s report)

Early investigator sketches- featureless.

Nowhere in the original reports is there any mention of any specific markings or lights on the UFO. There were however other UFO reports before and after the incident in Texas and surrounding states. some of those UFOs had lights, and there was an attempt by Schuessler’s team to connect the Cash-Landrum sighting to the other incidents. (Jerry and Glenda McDonald, see the Cash Landrum UFO Incident pages 311-4.)


Mysterious Blue Lights Appear

Vickie Landrum was put under regressive hypnosis by Dr. R. Leo Sprinkle (in connection with National Enquirer magazine and the television program That’s Incredible!) to recover additional details about the sighting. During the session, two new details emerged, the scent of lighter fluid, and the mention of blue lights. John Schuessler interpreted the lighter fluid smell as the odor of helicopter fuel, and the lights as being on the fuselage of the UFO.

Colby Landrum was given a Lite-Brite set, a toy that makes pixelated images out of lighted pegs, and he used it to make a picture of the UFO. John Schuessler photographed the Lite-Brite picture, and it seems he interpreted the colored pegs used to illustrate the UFO's center as a ring of lights. 

Lite-Brite illustration by Colby Lee Landrum, 1981
Together, this seems to be the origin for this description:
“The unusual aspect of the thing was its diamond shape. Small blue lights ringed the center and the points of the diamond seemed to be cut off.” John Schuessler, CUFOS Conference Sept. 1981

There is no broadcast or published statement from the original witnesses matching a description of blue lights. Betty and Vickie quickly accepted Colby’s diamond-shaped description, and began using it themselves to describe what they saw.

Vickie Landrum: “It was diamond-shaped and as tall as a water tower. It was a dull metallic color, and it just floated there.”She said red-orange flames were intermittently spewing from the bottom.-The Houston Chronicle, TX, Sept 25, 1981 


Pictures of the UFO with a ring of lights began appearing in UFO literature:





  
The Artist-Investigator

Chris Lambright and Tommy Blann were both interested in the case and paid a visit to Vickie Landrum. Chris had done a painting of the Socorro, New Mexico UFO sighting by Lonnie Zamora in an attempt to render it as technically accurate as possible. He used measurements from the official reports along with testimony and feedback from the witness in creating the painting. He was attempting to do the same thing with the Cash-Landrum sighting, and showed Vickie his unfinished painting based on published reports. She noticed a big problem- the UFO in the painting had blue lights. Further, she said that the object itself was dark, and if not for the light produced by the spewing flames, it might not have been visible against the night sky I've been corresponding with Chris, and he recently told me,


I never did finish the oil painting I originally showed to Vickie Landrum, though I think it's still in storage somewhere. I did a few digital images not too long ago, and more recently tried my hand at a not-too-complicated rendition using a 3D program. That approach is really interesting because you end up with fairly accurate trees, road, grass, and you get a great idea of how light effects the entire scene. 
It's still a guess on how bright the flames really were, and how reddish they were, etc. But you see things in a much more realistic what-you-see-is-what-you-get way. What really becomes obvious is how dark a dark grey object would have been in the sky, and brings home what Vickie said that if it hadn't been for the flames they might not have seen it at all.”

Chris did two variations of the scene, showing different degrees of lighting:
Copyright 2013, Christian P. Lambright, X Desk Publishing, used with permission of the artist.

The above view reflects more of Colby Landrum's description.
Copyright 2013, Christian P. Lambright, X Desk Publishing, used with permission of the artist.

This second version matches what Vickie and Betty initially described.
“It was if the whole sky was splitting ahead of us."
-Vickie Landrum, The Courier (Conroe Texas)  Feb. 22, 1981


To date, this is the most accurate representation to what Betty Cash, Colby and Vickie Landrum described in their testimony. Chris Lambright is owed a great debt for his work in getting to the truth of what was reported in the Cash-Landrum sighting.